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It all started with what seemed like a cheap imitation of a 1920′s vaudeville act. Rihanna’s overplayed Umbrella blared in the background which made me feel lost in that strip bar, almost as lost as that contemporary song finding itself in an old setting full of performers wearing bright costumes lit by colors that all bled in a puddle of brown. A drag queen came out lipsynching a song he, obviously, had no idea the words to backed up by midgets dressed as rodeo clowns who didn’t help with improving what was turning out to be a freak show..

“It’s not like I’ve always had this grand vision of having a downtown studio and gallery,” said Brosha. “The catalyst was I’ve been working out of my house for the last five years. My photography equipment and gear was starting to overtake our house.

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